“If you cannot caress your canvas, or your sculpting medium, you cannot caress your lover’s body — and if you can caress your lover’s body, you are an artist.”
from “Entering the Heart of the Sun & Moon” by Ngakpa Chogyam and Khandro Dechen
I am captivated by the process of falling in love. Being spiritually oriented as well as intellectually inclined, I can’t help gazing in wonder at the gift of love’s arrival in my life. In the moments when I am not actually gazing into my lover’s eyes, not physically entangled in his embrace, I simply must see love through the kaleidoscope of the various spiritual disciplines I pursue. I feel compelled to read about love and to chronicle my personal experience of the depth and height of the universal.
My Buddhist leanings dance with the Sacred Contracts work I will once again study intensively next week in Chicago.
In the book excerpted above, Entering the Heart of the Sun & Moon, Ngakpa Chogyam and Khandro Dechen discuss a little-known Tibetan Buddhist spiritual practice known as Khandro Pawo Nyi-da Melong Gyud or Vajra Romance. Spiritualizing relationship or relating spiritually involves two aspects. The first is to actively, consciously recognize the enlightened, complimentary qualities in one’s lover as a way of empowering those qualities in the self, for the betterment of all. Secondly, the romantic need to see, smell, touch, taste and hear one’s beloved, is opened wide to consciously include all of life, other people, our wider community, our experience of our own mind, our physical reality and everything. In Nyi-da Melong Gyud lovers challenge themselves to open to all of life and to sustain the “falling in love” indefinitely through self-awareness and mirroring.
I have to admit that this practice perfectly illuminates my own sacred contract. With the Lover in the seventh house, I find that my passionate nature best expresses itself in interaction and relationship with others, but also in the spiritual pursuit of the inner or sacred marriage. My Mystic is devoted to a path of union with the Divine, in all forms. My Storyteller must talk about it even though my Coward fears such lofty pursuits!
Interestingly, I have fallen in love with an Artist. My beloved is currently following his heart. He recently left the safety and predictability of a long career in computer science to pursue his dream to become an architect and designer. His contract simply demanded creative freedom and self-expression. Fueled by a similar late-bloomer’s passion, we are meeting one another on familiar turf. Our union reminds me that the Lover and the Artist are quite happy in bed together, thank you!
It’s easy to see what the two have in common: a bridging of the spiritual and the material through passion, self-expression, appreciation, idealism, devotion and a desire to surrender to the chaos of creativity. In this light it would seem that the Artist and the Lover are one and the same. Instinctively we know that it is not so! (In my work as an archetypal consultant, I help my clients untangle such fine distinctions in order to uncover their own contracts for self-realization, self-guidance and growth.)
How then do the Artist and the Lover differ? I believe it is exactly in the dimensions of male and female described well in many Western as well as Eastern sources. The Artist defines his passionate relationship to the world through creation (form) while the Lover passionately appreciates the creation (emptiness). Are they not the Yang and the Yin, the convex and the concave as Chogyam and Dechen express it?
And what of the romance that arises between them, the continual dance of emptiness and form? As a Lover I am experiencing the interplay as an illumination of my own inner Artist. In the process of being in love, I feel alive to express my joy, enthusiasm, and gratitude in the form of my medium, the written word. At another time in my life, an experience of love resulted in pregnancy and the birth of a tiny human being, the ultimate creation!
Likewise my beloved, the Artist, experiences the dance in his creative output, a masters thesis complete with renderings, models and prose. But through the lens of romance he also plays to his inner Lover. He connects with a newfound passion and appreciation for his work, a satisfaction present only when there is a beloved present to accept/receive his gift.
The Lover and the Artist thus reveal themselves as the sacred feminine and the sacred masculine of the creative archetypes. They dance as the Dakini and Daka, receptive and active romantic forces. In love as in art, it matters little which gender plays which role. The enterprise depends more on the dynamic foreplay of lover and beloved, the inspired ah ha with which the artist seizes his brush. Each sees the perfect enlightened complement in the mirror of other. Emptiness into form, form into emptiness. Both enter the spiritual dimension beyond time and space, beyond happiness and suffering, beyond gender, beyond self, the boundless creativity of the present moment.
May the Lover and the Artist enjoy a long and timeless love affair!
(thank you, sweetie, for the inspiration and the artwork!)